Libish Murugesan - Design Portfolio

CC LT Studio 3, MRAC01.

My contribution - Material to Design research, Wood working,

Scanning & ML, Robot calibration.

The project focused on recycling offcuts

fromwood manufacturing into bespoke prod-

ucts ,

The project explored the themes of material

Challenges -

Retrofitting irregular material properties to a

explicit design application.

Extrapolations on double curvature using curve creasing patterns.

A Bottom-up design approach to mitigate and

understand material manufacturing affordanc-

es and understanding material effects from the

creasing process.

pictures by Ipek Attaragolu, Mike Blackburn

Machine learning piplelines to augu-

ment design selection of curvatures in

panels and

Automated Spolia esis on going, MRAC02,

Automation in construction, focused on devel-

oping a system for perception-assisted grasp-

ing and placement in robotic fabrication.

The research deals with the problems in com-

putational design and integration challenges

of robotic fabrication with non-standard build-

ing materials.

Leveraging design intuition and deployable

open-source computational algorithms geared

towards generating novel fabrication work-

flows in design research and automating mun-

dane tasks in construction.

A scaled demonstrator of the fabrication setup.

Extrapolations on double curvature using

curve creasing patterns.

In specific, the tilling of an irregular substrate

with stone shards salvaged from demolition

waste; solved through visual perception and

feedback mechanisms in robot control.

Extrapolations on double curvature using

curve creasing patterns.

Leveraging design intuition

and deployable open-source

computational algorithms

geared towards generating

novel fabrication workflows

in design research and au-

tomating mundane tasks in

construction.

Crease Forming Studio 1, MRAC01, published as a paper “Programming twists” in Ecaad 2022

The project focuses on producing metal form-

ing workflows on a robotic arm, inspired by

traditional forming techniuqes and the design

approximated by origami folding techniques,

and rapid physics simulations to iterate ideas.

While adjusting for the fabrication parameters

in design and appllication.

Programming twists

Exploring the geometric affordances of alu-

minium through flexible robotic workflows.

The fabrication approach refers to a forming

process.

This has been achieved by installing a wheel

cutter on a small workshop hydraulic press

and a robot feeding the material into the form-

ing station.

The design-to-production pipelines are auto

mated and designed for a small payload ro-

bot that allows for a large variety of geometric

possibilities. Fabrication challenges of the pro-

cess have been documented, such as spring

back and elastic/plastic deformation of the

material.

A scaled

demonstrator

of the fabrica-

tion setup.

Extrapolations on double curvature using

curve creasing patterns.

A Bottom-up design approach to mitigate and

understand material manufacturing affordanc-

es and understanding material effects from the

creasing process.

Multispectral configuration Workshop 2.2 , MRAC01

ermal Point Cloud Aquisition and Assembling

This project is about mapping the thermal en-

vironment through mobile robots and drones.

Working with sensors namely, thermal, rgb and

depth cameras using a variety of ROS packag-

es and tools such as openCV.

The focus will be on developing and refining

capture parameters for the specific applica-

tions that will be deployed on the autonomous

vehicles.

The turtlebot carries astra camera and generates point cloud thorough three main ROS algo-

rithm as sensors bring_up, depth_image_proc and laser_assembler. using gmapping codes as a

interface to map and save the environment for the goal of autonomous navigation then remote

control of the robot through 2-D navigation goals in rviz.

In order to save time and organise works, the turtlebot was used for testing different parameters

and all configurations will be refered to realsense camera on the drone as final outcome.

Functions include creating disparity images and

point clouds, as well as registering (reprojecting)

a depth image into another camera frame.

Non linear- lattice 3d printing Workshop 1.2 , MRAC

The project aimed at exploring non-linear 3d

printing stategies , in particular space-frame

lattice structures with 3d printing on a robotic

arm.

An especially challenging aspect of the de-

sign was fine-tuning the apex of the pyra-

mid.

Timing the extruder to stop, wait, and cool

was crucial at this moment – if the material

cooled too much it would stick to the tip and

drag along the rest of the toolpath, if the

wait time was too short, the material would

not be hard enough to support itself.

These deviations across the 0.5m span

of the overall prototype became appar-

ent when printing the upper row of the

structure and nothing seemed to line up.

Efforts were made to correct for these

deviations

The repetable module.

Printing the apex of the pyramid.

Printing the Second layer of the lattice The Space frame prototype fabricated

Plant health detection and mapping Soware semianr 2.1, MRAC01

Plant_D is a rover-based workflow for city-wide

application of image processing and machine

learning for plants within the city’s landscape.

The workflow works around the multi-node

system with the ROS middleware framework.

The workflow works around the multi-node

system with the ROS middleware framework.

Project objectives

Interfacing with ROS.

Localization and naviga-

tion, Gmapping.

Diseased Plant detec-

tion using deep learning

Mapping detected plant

health in space.

The aims and objective of the project were

to create a database of diseased plants and lo-

cate them on the scanned map using markers.

The training dataset allowed us to differen-

tiate between diseased and healthy plants

based on images labelled in reddit and google

search, along with datasets from Kaggle.

Gmapping and marking of the scene plant status detection on the camera feed from

the turtlebot

Metal Cloud

This pavilion represents the exploration of architecture in a manufacturing

perspective, exploring materiality and industrial processes. The focus here

is on fabrication techniques and intersection of divergent techniques in an

architectural element.

The problem statement incurred was usage of minimal materials to achieve

the form using Robotic CNC and hands on fabrication.

The Principles of modernism have been shifted here utilizing minimal man-

ufacturing, processing raw materials into the finished outputs with minimal

wastage.

The Auxetic structure allowed for the determined form to be achieved as the

metal behaved as a fabric giving in to the form folded volumes

Team(2020)- for Folds design studio in collaboration with SRI design lab ,

Worked as a research assistant on computation and fabrication.

Auxetic material simula-

tion using Physics simu-

lations,

Estimating the in-plane

expansion of the cho-

sen pattern.

The structure allowed for the deter-

mined form to be achieved as the met-

al behaved as a fabric, with variable

rigidity depending on the thickness,-

giving form to the folded volumes

Prototyping of intended forms were

explored on a programmed cnc rout-

er,

The final pavilion called for an organic

structure partly influenced by gravity

and by artistic hammering.

Aggregation of modules into communes

that defines the planning of the entire

settlement.

BUILDING FOR A BILLION Team(2018)- for Fhd Group ,on computational design ,3d

modeling.

User priorities drive design in a bottom up ap-

proach, designed incremental modules for each

four typologies have been used to generate

communes based on a multi-objective optimi-

sation model.

Algorithm Objectives ,Maximizing number of

modules , minimizing incident surface radia-

tion,maximizing social space (isovists).

Redefining low-cost housing through incremental modules and user defined communes.

The design of a luxury hotel on the river-front of the

new city of Amaravati, required considerations in

accommodating balance between public and private

spaces in relation to the viewfronts and the intrinsic

spatial layouts.

Algorithmic optimization of the

length of the facade facing the

river front , ensuring that all the

rooms offered have a unobstruct-

ed view.

Bhavan - Hotel design Semester project 2017, as part of academic exercises, studied and

documented and designed a 5-star hotel.

The typical floor plan

showing view facing

rooms and

public spaces in nega-

tive spaces.

As a major civic,

Center , the devel-

opment of character

and a parallel over-

head structure along

intersecting transit

routes were crucial

to the organization.

The spatial solution

lies primarily in the

making of a parallel

space devoid of rush

on the platforms

Urban Rejuvenation- Urban design studio Semester project 2019, as part of academic team exercises, studied and

documented and designed a intervention to the Vijayawada railway sta-

Intervention of public infrastructure,

By providing adequate pedestrian spaces and

supporting amenities, For a transit center

in-situ. Recreation as a necessary intervention

in the dense urban Fabric.

Mixed use developement - Amarvati Semester project 2018, as part of academic project, developed a mixed

use development in the new city of amaravathi.

The mixed use typology resolves the residen-

tial street, the street side shopping centers,

malls and workspaces in a single typology of

built environment.

The site was

developed in

accordance

with con-

straints of

the neighbor-

hood and the

program.

The residential street

The Street as a urban landscape has been explored within the

built structure and the edges of the mixed use itself, as it bleeds

into the city streets.

Based on principles from Pattern Language by Christopher Alex-

ander, building heights and Spatial characteristics are explored

into the interface between residential ,commercial and recre-

ational spaces, negotiating with building by-laws.

Annual daylight analysis indicated a

need for shading between the residential

and institutional blocks of the campus

Parts of the campus.

On exploration of shading devices ,deploy-

able origami structures employed by the so-

lar sails in satellites were an inspiration.

A Physics simulation was employed in the

design of the folded plate structure with ra-

dial piston actuators.

The responsive design, allows for retraction

and expansion of the shades in accordance

with varying light intensities during the day.

Providing a natural enhancement in social

character of the space in the hot summer

afternoons and the evenings

Chatras - Landscape Design- Semester project 2018, as part of academic exercises.

The Bamboo shelter was developed after prototyping several anti-clastic and syn-clastic struc-

tures and forms, which lead us to the desired geometry ,desirable for manufacturing.

Shading in the outdoor pool deck is crucial while also allowing ventilation through the tatch

of the shelter, The porosity of the tacht allows for a cool shade with the warm and dry climate

of Hyderabad , India.

DETAIL@01

1"= 1'

PEDESTAL

1'-3"1'-3"

1' 9"

PEDESTAL DIM. AS PER

STR.

PCC

2 3 4 5 6

24'

BAMBOO DECK

WATER BODY

FFL -20'-2"

FFL -19'-8"

FFL -19'-2"

1PLAN

1"= 2'

1SECTION-S1

1"= 2'

7'-3"

1'-3"

21'

1'-3"

23456

6' 6' 6' 6'

24'

BAMBOO DECK WOODEN FLOORING

4" THK. PCC

RCC PLINTH BEAM AS

PER STR.

PCC AS PER STR.

1'-3"

GRAVEL AGGREGATE

COMPACTED EARTH

TO DETAIL@01

FFL -19'-2"

1'-3"

17'

19'-6"

12'-7"

1'-3" 25'-6" 1'-3"

1'-3"

SECTION-S2

1"= 2'

C D

16'

TO DETAIL@02

WOODEN FLOORING

RCC PLINTH BEAM AS

PER STR.

4" THK. PCC

PCC AS PER STR.

GRAVEL AGGREGATE

RAMMED EARTH

FFL -19'-2"

DETAIL@02

1"= 1'

WOODEN FLOORING

4" THK. PCC

RCC AS PER STR.

DETAIL@03

1"= 1'

KEY PLAN :

1. In case of all specialist works, details and any deviations from this construction drawing,

the contractor / sub-contractor are to provide shop drawings for architect's / Engineer's

approval prior to construction.

2. This drawing should be read and not measured.

3. All dimensions are in millimeters unless stated otherwise.

4. All drawings must be cross referenced in case of any doubt / discrepancy.

5. FFL represents finished floor levels.

All dimensions shown in the drawings are structural / masonry dimensions.

6. All architectural drawings must be referred in co-ordination with structural drawings.

GENERAL NOTES :

ARCHITECTS :

REV. DESCRIPTION DONE BY DATE

ARCHITECTURE

www.fhdgroup.in Fountainhead Architects Pvt. Ltd.

Plot # 15,8-3-684 / 3-15, LIC Colony,

Srinagar Colony, Hyderabad - 500073

P: +91 40 23743324 / 25

F: + 91 40 66621253

This drawing is copyright and may not be copied without prior written consent.

The contractor shall verify all dimensions on site before commencing any work

or shop drawing. Any discrepancies occurring in this drawing must be referred

to the Architect before the commencement of work.

DHURGAI

VARIES

18-04-2018

DHURGAI

LIBISH M

DHURGAI

PRELIMINARY INFORMATION APPROVAL TENDER CONSTRUCTION

RELEASED FOR GFC

CHECKED BY

DRAWN BY

APPROVEDARCHITECT

SCALE

DATE

DRAWING NO

FHD PROJECT NO : -

REV.

DRAWING TITLE :

PROJECT TITLE :

BAMBOO DECK DETAIL

MRS.ASHADEEP RESIDENCE

CLIENT:

MRS.ASHADEEP

SERVANT

QRTS

E X I S T I N G R O A D

EXISTING BLDG

DECK

SLAB ABOVE

6' 6' 6' 6'

8'8'

PEDESTAL

16'

24'

PLAN

DECK LEVEL +1'-0"

9" 12' 4' 16' 4'

24'

6' 6'

ELEVATION

ROOF PLAN

1MODULE PATTERN

HEIGHT @12'HEIGHT @12'

HEIGHT @12'

HEIGHT @0

1MODULE PATTERN

HEIGHT @12'HEIGHT @12'

HEIGHT @12'

HEIGHT @0

PRIMARY

BAMBOO

STRUCTURE

A10

B10

7'-3"

24'-9"

C10

C9 C8C7C6C5C4C3C2C1D1D2D3D4D5D6D7D8D8

1MODULE ELEVATION

13'-5"

12'

PRIMARY

BAMBOO

STRUCTURE

1MODULE ELEVATION

13'-5"

1MODULE ELEVATION

12'-8"

12'

24'

PRIMARY

BAMBOO

STRUCTURE

C10

B10

SECONDARY

BAMBOO

STRUCTURE

1MODULE ELEVATION

B5B4

B3B2B1

C10

D10

B10

A1 A2A3A4A5A6A7A8A9A10

SECONDARY

BAMBOO

STRUCTURE

12'

12'-8"

12'

24'

MODULE GRID 6' X 8'

KEY PLAN :

1. In case of all specialist works, details and any deviations from this construction drawing,

the contractor / sub-contractor are to provide shop drawings for architect's / Engineer's

approval prior to construction.

2. This drawing should be read and not measured.

3. All dimensions are in millimeters unless stated otherwise.

4. All drawings must be cross referenced in case of any doubt / discrepancy.

5. FFL represents finished floor levels.

All dimensions shown in the drawings are structural / masonry dimensions.

6. All architectural drawings must be referred in co-ordination with structural drawings.

GENERAL NOTES :

ARCHITECTS :

REV. DESCRIPTION DONE BY DATE

ARCHITECTURE

www.fhdgroup.in Fountainhead Architects Pvt. Ltd.

Plot # 15,8-3-684 / 3-15, LIC Colony,

Srinagar Colony, Hyderabad - 500073

P: +91 40 23743324 / 25

F: + 91 40 66621253

This drawing is copyright and may not be copied without prior written consent.

The contractor shall verify all dimensions on site before commencing any work

or shop drawing. Any discrepancies occurring in this drawing must be referred

to the Architect before the commencement of work.

DHURGAI

VARIES

03-05-2018

DHURGAI

LIBISH M

DHURGAI

PRELIMINARY INFORMATION APPROVAL TENDER CONSTRUCTION

CHECKED BY

DRAWN BY

APPROVEDARCHITECT

SCALE

DATE

DRAWING NO

FHD PROJECT NO : -

REV.

DRAWING TITLE :

PROJECT TITLE :

BAMBOO STRUCTURE DETAIL

MRS.ASHADEEP RESIDENCE_EXTENSION

CLIENT:

MRS.ASHADEEP

Bamboo Pavillion For FHD group (2019)

Joints and markings were optimised for rope-

knots and a traditional labour workforce.

Interfacing with non-conventional joint sys-

tems and non-dimensional material called for

a flexible design with affordable tolerances,

And flexible communication channels on site.

with the design dictating the overall structure

and form, the design itself is realised by as-

sembly and a equillibrium achieved in assem-

bly

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Immersvsive design.

This Suspended Installations evolve around the aspect of Getting The spatial inter-

face betwen the human experience and Art as such,sculptural impact signified.

Serves as a Climate Portal with Themed Colourations and sound design employed.

as a human connection with the vows of tomorow and the scarcity of resources thus

expemlified.

The Aspect of spatial enclosure is explored in this model of language.

as cavern spaces gather into the newer mediums, This pavillion is proposed out

of Complete Barisol the amembrane , this aspect of the musuem is thereby,

exemplified ,towards the fabrication aspect of the musuem staff,

Key techniques :Membrane design, outdoor installations.

Constructing a immersive experience revovles around spatial and technical qualities,the use of projection mapping is employed to a degree of autonomy and

Sound design.is thereby studied as an aspect of the design.essentialy offering a cinematic experience for the out of normal conditions.

Thereby a permanent refuge from the real, the permanance of the installations are related to thier origin of thier sources, as a year or more , the monthly aspect

of the temporary exhibition is thereby exemplified.

Kinetic Instalation is an interactive installation ment for long term use.

The cieling responds to the motion of the passenger?visitor thus of-

fering a fulfily physical yet immersive experience.

Kinetic sculpures, use microcontrollers which activate the motors

controlling the motion of the spheres and sensors which are connect-

ed to feed back station, thus giving a responsive installation.

This 3D portal is a gateway into the heritage musuems of Hampi,

with inspirations drawn across from the hampi museum.

‘Heritage Portal Offers a Gateway into One to one scale of projec-

tions, Thereby Art of Ellora caves and distantcave paintings of Las-

cuas ,France can be visualised.

Key Technology used.

Exhibit Design Concept Kinetic Installation

Metaball Station

Four permanent instalations.

The immersive climate portal.

Outdoor Installation Children play ground

Heritage portal

Research labs Exhibits Themed collaboration spaces

Key techniques used include Projection, ans the use of large scale

displays and key aspects of the study.

Key techniques used include Projection, ans the use of large scale

displays and key aspects of the study.

The Projected Immersive Environment is designed to give a Nourishing

experienceto the Afformentioned group, and the Aspect of Intercactive

play provides for a entertaining evening.

Key techniques used,

Multiple Array Projectors, Responsive design, sound design

Multiple array Projections over a colpex 3d surface.

The Human Dimension over the Augumented.

The

What deﬁnes a Immersive experience?

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Immersvsive design.

This Suspended Installations evolve around the aspect of Getting The spatial inter-

face betwen the human experience and Art as such,sculptural impact signified.

Serves as a Climate Portal with Themed Colourations and sound design employed.

as a human connection with the vows of tomorow and the scarcity of resources thus

expemlified.

The Aspect of spatial enclosure is explored in this model of language.

as cavern spaces gather into the newer mediums, This pavillion is proposed out

of Complete Barisol the amembrane , this aspect of the musuem is thereby,

exemplified ,towards the fabrication aspect of the musuem staff,

Key techniques :Membrane design, outdoor installations.

Constructing a immersive experience revovles around spatial and technical qualities,the use of projection mapping is employed to a degree of autonomy and

Sound design.is thereby studied as an aspect of the design.essentialy offering a cinematic experience for the out of normal conditions.

Thereby a permanent refuge from the real, the permanance of the installations are related to thier origin of thier sources, as a year or more , the monthly aspect

of the temporary exhibition is thereby exemplified.

Kinetic Instalation is an interactive installation ment for long term use.

The cieling responds to the motion of the passenger?visitor thus of-

fering a fulfily physical yet immersive experience.

Kinetic sculpures, use microcontrollers which activate the motors

controlling the motion of the spheres and sensors which are connect-

ed to feed back station, thus giving a responsive installation.

This 3D portal is a gateway into the heritage musuems of Hampi,

with inspirations drawn across from the hampi museum.

‘Heritage Portal Offers a Gateway into One to one scale of projec-

tions, Thereby Art of Ellora caves and distantcave paintings of Las-

cuas ,France can be visualised.

Key Technology used.

Exhibit Design Concept Kinetic Installation

Metaball Station

Four permanent instalations.

The immersive climate portal.

Outdoor Installation Children play ground

Heritage portal

Research labs Exhibits Themed collaboration spaces

Key techniques used include Projection, ans the use of large scale

displays and key aspects of the study.

Key techniques used include Projection, ans the use of large scale

displays and key aspects of the study.

The Projected Immersive Environment is designed to give a Nourishing

experienceto the Afformentioned group, and the Aspect of Intercactive

play provides for a entertaining evening.

Key techniques used,

Multiple Array Projectors, Responsive design, sound design

Multiple array Projections over a colpex 3d surface.

The Human Dimension over the Augumented.

The

What deﬁnes a Immersive experience?

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Exhibit concepts

The

Level of interactions

Object viewed from above

Multiple projectors

Niches at multiple level

LED panels

Kinetic facadeBlobbed surfaces Conventional seating LED actuators Procedurally generated geomentries

CAVE enviroments LED flooring Projection mapping Augmented reality Virtual reality

Kinetic installations Cinematic projections Mazed wall Drone swarming linear walk

Inbetween the projections Views from different levels Object viewed from below Elevated walkway vs objects Interactive elements

Types of installations

Volumes and surfaces Types of immersiveness

Facade level installationsOutdoor installations

Exploratorium of new media and art Semester project 2019, as part of thesis , de-

veloped a new-media Museum project.

The exploratorium redefines museum in the

context of new media installations, the point

of focus here being the development of new

media experiences and ways in accommodat-

ing them in the typology of a public space.

And explores questions on what is the Apeal

of modern art in the digital age and rises ques-

tions on ownership and public domains

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Exhibit concepts

The

Level of interactions

Object viewed from above

Multiple projectors

Niches at multiple level

LED panels

Kinetic facadeBlobbed surfaces Conventional seating LED actuators Procedurally generated geomentries

CAVE enviroments LED flooring Projection mapping Augmented reality Virtual reality

Kinetic installations Cinematic projections Mazed wall Drone swarming linear walk

Inbetween the projections Views from different levels Object viewed from below Elevated walkway vs objects Interactive elements

Types of installations

Volumes and surfaces Types of immersiveness

Facade level installationsOutdoor installations

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Exhibit concepts

The

Level of interactions

Object viewed from above

Multiple projectors

Niches at multiple level

LED panels

Kinetic facadeBlobbed surfaces Conventional seating LED actuators Procedurally generated geomentries

CAVE enviroments LED flooring Projection mapping Augmented reality Virtual reality

Kinetic installations Cinematic projections Mazed wall Drone swarming linear walk

Inbetween the projections Views from different levels Object viewed from below Elevated walkway vs objects Interactive elements

Types of installations

Volumes and surfaces Types of immersiveness

Facade level installationsOutdoor installations

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Exhibit concepts

The

Level of interactions

Object viewed from above

Multiple projectors

Niches at multiple level

LED panels

Kinetic facadeBlobbed surfaces Conventional seating LED actuators Procedurally generated geomentries

CAVE enviroments LED flooring Projection mapping Augmented reality Virtual reality

Kinetic installations Cinematic projections Mazed wall Drone swarming linear walk

Inbetween the projections Views from different levels Object viewed from below Elevated walkway vs objects Interactive elements

Types of installations

Volumes and surfaces Types of immersiveness

Facade level installationsOutdoor installations

The Atrium being the central focus of the spa-

tial program, necessitated in a unique struc-

ture.

what is art in this age of digi-

tal media?

Spatial experiences and the

journey through a building is

being explored through sev-

eral interfaces and media.

The question of physical ob-

jects as a specimens and ob-

jects of atttraction is being

questioned through virtual

reality and newmedia art.

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Exhibit concepts

The

Level of interactions

Object viewed from above

Multiple projectors

Niches at multiple level

LED panels

Kinetic facadeBlobbed surfaces Conventional seating LED actuators Procedurally generated geomentries

CAVE enviroments LED flooring Projection mapping Augmented reality Virtual reality

Kinetic installations Cinematic projections Mazed wall Drone swarming linear walk

Inbetween the projections Views from different levels Object viewed from below Elevated walkway vs objects Interactive elements

Types of installations

Volumes and surfaces Types of immersiveness

Facade level installationsOutdoor installations

EXPLORATORIUM OF NEW MEDIA AND DIGITAL ART.

THESIS 2018-19

LIBISH M 1140400435

SECTION A ,B.ARCH,

SCHOOL OF PLANNING AND ARCHITECTURE

Exhibit concepts

The

Level of interactions

Object viewed from above

Multiple projectors

Niches at multiple level

LED panels

Kinetic facadeBlobbed surfaces Conventional seating LED actuators Procedurally generated geomentries

CAVE enviroments LED flooring Projection mapping Augmented reality Virtual reality

Kinetic installations Cinematic projections Mazed wall Drone swarming linear walk

Inbetween the projections Views from different levels Object viewed from below Elevated walkway vs objects Interactive elements

Types of installations

Volumes and surfaces Types of immersiveness

Facade level installationsOutdoor installations

Miscellaneous Prototyping projects Prototyping exercises (2020),

In view of the pandemic and Acute shortage of medical masks and

supplies, we developed several components and manufactured them

through 3d printing PLA plastic for masks and laser cutting to make

face shields.

The masks and were fitted with Hepa filters which can be replaced and

the contraption reused after disinfection.

An Icosadodecahedron (20 triangular faces,12 pentagonal faces )with

each side being a scissor joint makes this transformable-structure,in-

spired by the Hobberman sphere, manufacturing affordances for slid-

ing joints,

The prototyping of a unit of a pavilion, generation of fabrication draw-

ings by grouping faces and unrolling through graph theory and phys-

ics simulation.

Sensing the thermal environment Studio Semianr 2, Sensing Machines, MRAC01

Mapping UTFI based on Vector fields

generated by Urban Scale CFD simula-

tions, - Studying thermal comfort in

the Hottest and coldest weeks on site.

Sensing the thermal environment especially

convection in buildings was a key challemge of

this seminar, with various complimentary tech-

niques explored in this regard.

The change in pixels across

each frame of a video and

direction of flow is maped in

vectors. the speed and veloci-

ty is thereby measured across

a vector field.

Schlieren Imaging to understand movement of hot

air around objects, here the camera as a sensor lev-

eraged our understanding of flow with optics.

Computer-vision algorithms like optical-flow and

histogram of gradients are applied here to visualise

the vector fields generated around the flow.

Mapping convection using Background oriented

schlieren imaging,

Imaging technique without reliance on optics

Schlieren imaging flow patterns around forms mapped

by Schlieren imaging and the HOG

algorithm

The urban

canyon effect

, visualised

by numerical

simulation in a

windtunnel.